Review: Nottingham Youth Orchestra, Albert Hall

The Nottingham Youth Orchestra under Derek Williams was in sparkling form for this evening of 20th-century American classics. Playing a programme of Gershwin and Bernstein is not for the faint-hearted, but these young players made light work of the challenge, their unflagging energy coupled with a keen sense for the intricate rhythms of the pieces and a level of musicianship well beyond their years.

The Symphonic Picture from Porgy and Bess set the tone, with the Orchestra's confident, mature sound equally comfortable in the unhurried atmospheric opening, the tenderness of Summertime and the boisterous conclusion.

Rhapsody in Blue was charged with restless energy, offset by moments of lyrical intensity. Piano soloist Clare Hammond's playing was exquisitely supple and full of expression.

Bernstein's Prelude, Fugue and Riffs provided an impressive showcase for the exciting, technically superb playing of the Nottingham Youth Jazz Orchestra under Phil Smith.

In Bernstein's Candide Overture the Orchestra played with sparkle and a light touch, revelling in the big, sweeping melody. The Symphonic Dances from West Side Story were full of excitement and vivid drama, elemental outpourings of energy juxtaposed with the tender longing of Somewhere.

GRAHAME WHITEHEAD